Exterior of Nancy Nicholas Hall in the evening, with lamps and windows glowing.
News & Events

Center for Design and Material Culture announces new name and celebrates new possibilities for creativity, learning and research

It’s the start of a new chapter for the School of Human Ecology’s Center for Design and Material Culture as it introduces a new name and celebrates the expanded learning opportunities made possible by a family’s legacy gift.

The center’s new name is Nancy M. Bruce Center for Design and Material Culture in honor of the late Nancy (Meng) Bruce ’54, an alumna of the School of Human Ecology and founding member of its Board of Visitors. In 1990, Bruce’s generosity helped establish the design gallery that serves as one of two creative showcases for the center. This fall, two quilt exhibitions will pay tribute to her passion for antique quilt collecting.

A person discusses a quilt with a butterfly motif hanging on a bright blue wall with exhibition viewers.
Sarah Anne Carter (center) leads visitors through a tour of the Afterlives exhibition in the Lynn Mecklenburg Textile Gallery in 2025. The center hosts five to seven public exhibitions each year.

“Thanks to the thoughtful generosity of Nancy and Robert Bruce, the center is poised to expand its reach even further, advancing the study of material culture, design and the human experience,” says Soyeon Shim, the Elizabeth Holloway Schar Dean of the School of Human Ecology. “Bolstered by philanthropic support, the center can be a leading destination for learning and discovery and ensure that the material world continues to serve as a lens for inquiry and innovation, not only for our campus but for scholars across the country and the globe.”

Two people pose together and smile in a gallery with clothed mannequins.
School of Human Ecology Dean Emerita Robin Douthitt (left) shares a moment with alumna Nancy M. Bruce during the grand opening of Nancy Nicholas Hall in 2012.

An international leader in design and material culture studies

The center has played a vital role in establishing the University of Wisconsin–Madison as an international leader in research and teaching on design and material culture. Its faculty and staff regularly partner with international scholars who are drawn to the center’s Helen Louise Allen Textile Collection, which includes nearly 14,000 textile treasures from around the world, making it one of the largest university-held collections of its kind.

Three students sit at a white table, each studies a different textile object.
The center hosts more than 6,000 visitors each year, including more than 50 classes of students from across the UW–Madison campus.

“As an academic research center located in the beautiful Nancy Nicholas Hall, we are fortunate to have the opportunity to curate exhibitions that allow us to share our research through two gorgeous galleries,” says Sarah Anne Carter, associate professor of Design Studies and the center’s executive director, a role made possible through generous support from the Chipstone Foundation. “We offer other research pathways as well, all of which are highly collaborative with scholars across academic disciplines.”

A person points and discusses a textile object on a table to a group of viewers holding clipboards
Sarah Anne Carter (left) shares insights about an artifact from the Helen Louise Allen Textile Collection with Barbara Borders (center) and other supporters, many of whom have participated in the center’s Adopt-a-Textile program.

Cultural historian Sophie Pitman joined the center in 2022 as the research director for the textile collection and the Pleasant Rowland Textile Specialist, further enhancing the center’s intellectual clout.

Two people touch and discuss a textile on a large, white table.
Sophie Pitman (left) and Design Studies graduate student Maeve Hogan examine a chasuble, an artifact from the Helen Louise Allen Textile Collection that was later featured in the Remaking the Renaissance exhibition in the Lynn Mecklenburg Textile Gallery in 2024.

The center hosts a number of free, public exhibitions each year, exploring an array of topics, from scientific research glass to Renaissance textile-making practices to expressions of politics in the home. In addition, the center regularly hosts gallery tours, public lectures and panel discussions, making workshops and other special events.

People sit around a table with various pieces of paper, scissors and yarn on it. An instructor stands in the back guiding participants.
Textiles & Fashion Design student Willa Peterson (standing) leads a Work in Progress Lab workshop at the center, teaching attendees how to make crochet plant coasters. The center hosts nearly 50 public programs each year, including Community Day events, workshops, discussions and lectures involving more than 1,500 participants.

“At Human Ecology, we’re all about understanding and enhancing the human experience — at the individual, family, community and societal levels — and design plays a critical role in shaping this progress,” says Shim, who also holds the Ted Kellner Bascom Professorship in Consumer Science. “By examining the intersections between the material world and design innovation, as both scholarly and creative endeavors, we can harness the power of imagination in asking ‘what if’ and devising solutions to society’s grand challenges.”

A person speaks to a large crowd on a tour of the exhibition.
Design Studies graduate student Danielle “Dani” Burke (left) shares her research with visitors to Heart, Head, and Hand: Making and Remaking at Berea College Student Craft. Burke co-curated this exhibition, which included research travel to Berea College funded by the center and the Chipstone Foundation. Burke’s research leveraged her knowledge of making, history, and folklore to help tell this important material story in a unique way.

Celebrating with a year of quilts

This fall, two quilt-themed exhibitions will provide another opportunity to reflect on Bruce’s legacy. Years ago, Bruce donated seven antique quilts to the Helen Louise Allen Textile Collection — some of the gems of her world-class collection.

“Nancy recognized that donating these quilts would give them a new life and would allow them to serve student researchers and really be cared for in perpetuity as objects of deep cultural importance,” Carter says. “And so, we’re celebrating this gift with a year of quilts. It feels like an authentic and exciting way to say thank you and also lean into the purpose of that initial gift, which is to celebrate these objects and to think about what they make possible.”

Close-up of a quilt with a triangle motif.
Two quilt exhibitions, opening in fall 2025, pay tribute to the late Nancy M. Bruce’s passion for antique quilt collecting and celebrate her legacy of generosity.

Find Your Quilt will run from Oct. 8, 2025, through March 1, 2026, in the Ruth Davis Design Gallery, while the Lynn Mecklenburg Textile Gallery will feature Parallel Lines: Quilts and the American Landscape from Sept. 3, 2025, through May 10, 2026. The quilt exhibitions opening in Fall 2025 are curated by Sophie Pitman and Marina Moskowitz, the Lynn and Gary Mecklenburg Chair in Textiles, Material Culture & Design.

Person speaks and gestures behind a podium. Some of the audience is blurry and visible in the background.
Marina Moskowitz speaks to supporters at the opening reception for the Lynn Mecklenburg Textile Gallery.

The opening reception for both fall exhibitions is set for Oct. 16, 2025, and other programming will include a Quilt Exhibitions Bus Tour  on Oct. 18, 2025, and a Quilt Documentation Day on Nov. 15, 2025, in partnership with the Wisconsin Quilt and Fiber Arts Museum, along with other quilting-inspired events.

In the meantime, Carter looks forward to bringing more students and scholars into the center’s work and experiences.

“We’re raising the level of conversation around the idea that the material world has intellectual content that should be studied and understood,” Carter says. “And we can help students build skills to do that — to actually make sense of the world that we live in beyond texts or numbers or charts, and to understand in an increasingly digital world that material things matter.”

A group of children point and gather around a floral textile object. An adult exhibition guide is pointing at and discussing the object.
Students of all ages enjoy the creative sights and lasting insights presented in the Nancy M. Bruce Center for Design and Material Culture. Here, Collection Manager Carolyn Jenkinson engages young students from the Child Development Lab in examining items from the collection.